Type in motion is the cheapest production value upgrade in video — and the easiest to overdo.
“Drop” falls. “Fast” snaps in. “Together” converges. Literal motion makes meaning land twice.
Decide the one word per sentence that deserves emphasis. Animate that; let the rest support. Everything-moves edits read as noise.
Linear moves look robotic. Strong ease-out on entries, subtle overshoot on emphasis — 80% of “expensive feel” is easing curves.
Text lands on syllable stress, not on a metronome. Cut to the narration’s beat and the piece feels choreographed.
Watch these principles applied across our motion work, or start a project brief.
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